Monday, October 19, 2026

Supplemental cli-fi/eco-fiction lists

I gave Claude this prompt:

At the southern festival of books yesterday, I met the authors Alice Martin, Erin McCoy, and Deb Olin Unferth. I told Unferth that I plan to teach environmental ethics with a cli-fi/eco-fiction theme next semester, using Richard Powers’ trilogy beginning with The Overstory. I’m also going to use Jill Lepore‘s The Rise and Fall of the Artificial State in that course. I asked Unferth what other titles she thinks would be appropriate. She mentioned her own book, Earth 7, and author Kim Stanley Robinson.

Claude’s lists:

  • Stephen Markley, The Deluge (2023)
  • Charlotte McConaghy, Wild Dark Shore (2024)
  • George Saunders, Vigil (2024)
  • Eric Puchner, Dream State (2025); Megha Majumdar, A Guardian and a Thief (2025)
  • Lily Brooks-Dalton, The Light Pirate (2022)
  • Neal Stephenson, Termination Shock (2021)

Nonhuman life, ecology, and the weird

  • Ray Nayler, The Mountain in the Sea (2022), on octopus intelligence
  • Gina Chung, Sea Change (2022)
  • Ned Beauman, Venomous Lumpsucker (2022), on extinction and its economics
  • Jeff VanderMeer, Absolution (2024)

Tech, power, and the "Artificial State" thread

  • Naomi Alderman, The Future (2023)

Here's a trimmed list of ten, each with a theme tag and a report prompt. The short descriptions of the titles I didn't confirm by search come from my own knowledge, so check them before distributing.

  1. Deb Olin Unferth, Earth 7 (2026) · Technology, extinction. What does the novel suggest we owe a planet we've used up, and does saving a "trace" of Earth count as preservation?
  2. Stephen Markley, The Deluge (2023) · Climate politics, justice. Which obstacles to climate action does the novel locate in institutions rather than individuals?
  3. Charlotte McConaghy, Wild Dark Shore (2024) · Preservation, loss. What is being preserved, for whom, and at what cost to the people doing it?
  4. George Saunders, Vigil (2024) · Complicity, responsibility. How does the novel treat moral responsibility for harms that are diffuse and long-term?
  5. Ray Nayler, The Mountain in the Sea (2022) · Nonhuman minds. If octopuses are persons, what changes about environmental ethics and our standing as moral agents?
  6. Ned Beauman, Venomous Lumpsucker (2022) · Valuing species. Satirize or defend: can extinction be priced? What does the book assume about instrumental versus intrinsic value?
  7. Jeff VanderMeer, Absolution (2024) · Nature's agency. Is nature here a victim, an agent, or something that resists both categories?
  8. Gina Chung, Sea Change (2022) · Ocean, grief. How does personal loss shape the narrator's relationship to ecological loss?
  9. Samantha Harvey, Orbital (2023/24) · Planetary perspective. How does seeing Earth whole change the ethical questions, compared with Powers' view from inside the forest?
  10. Naomi Alderman, The Future (2023) · Tech billionaires, escape fantasies. Pair with Lepore: where do the novel's elites match her "Artificial State"?

2010–2015

  • Ian McEwan, Solar (2010): a comic study of a physicist's self-interest and climate action
  • Paolo Bacigalupi, Ship Breaker (2010): YA, post-collapse Gulf Coast
  • Barbara Kingsolver, Flight Behavior (2012): monarch butterflies and climate belief in rural Appalachia
  • Kim Stanley Robinson, 2312 (2012): solar-system ecology and terraforming ethics
  • Margaret Atwood, MaddAddam (2013): concludes her trilogy on bioengineering and ecological collapse
  • Nathaniel Rich, Odds Against Tomorrow (2013): risk, prediction, and disaster profiteering
  • Ruth Ozeki, A Tale for the Time Being (2013): ocean plastic, Fukushima, and Zen
  • Alexis Wright, The Swan Book (2013): Aboriginal perspectives on a climate-altered Australia
  • Jeff VanderMeer, Annihilation (2014): the first Southern Reach book; nature as inscrutable agent
  • Emily St. John Mandel, Station Eleven (2014): what survives after collapse
  • Nnedi Okorafor, Lagoon (2014): first contact, Lagos, and the oil-polluted sea
  • Kim Stanley Robinson, Aurora (2015): the ethics of leaving Earth
  • Maja Lunde, The History of Bees (English 2017; Norwegian 2015): three eras of pollinator collapse

2016–2020

  • Annie Proulx, Barkskins (2016): three centuries of deforestation
  • Lily Brooks-Dalton, Good Morning, Midnight (2016)
  • Omar El Akkad, American War (2017): climate-driven second civil war
  • Louise Erdrich, Future Home of the Living God (2017): reproduction and reverse evolution
  • Kim Stanley Robinson, New York 2140 (2017): flooded city, capital, and collective action
  • Sue Burke, Semiosis (2018): plant intelligence; a natural companion to The Overstory
  • Barbara Kingsolver, Unsheltered (2018): two eras of ecological and economic precarity
  • Michael Christie, Greenwood (2019): a century of one family and one forest
  • Amitav Ghosh, Gun Island (2019): migration, myth, and the Sundarbans
  • Kim Stanley Robinson, The Ministry for the Future (2020): policy-level climate fiction
  • Rumaan Alam, Leave the World Behind (2020): crisis and class
  • Diane Cook, The New Wilderness (2020): a community living in a protected wilderness state
  • Lydia Millet, A Children's Bible (2020): generational anger at climate inaction
  • Charlotte McConaghy, Migrations (2020): the last Arctic terns

For a philosophy course, a few of these pair well with specific topics:

  • Intrinsic vs. instrumental value: Barkskins, Semiosis, Venomous Lumpsucker
  • Intergenerational ethics: Unsheltered, A Children's Bible, Vigil
  • Geoengineering and policy: The Ministry for the Future, New York 2140
  • Indigenous and non-Western perspectives: The Swan Book, Lagoon, Gun Island

2. Climate politics, justice, and policy

  • Majumdar, A Guardian and a Thief (2025)
  • Puchner, Dream State (2025)
  • Markley, The Deluge (2023)
  • Robinson, The Ministry for the Future (2020)
  • Alam, Leave the World Behind (2020)
  • Robinson, New York 2140 (2017)
  • El Akkad, American War (2017)
  • Rich, Odds Against Tomorrow (2013)
  • McEwan, Solar (2010)

3. Responsibility and intergenerational ethics

  • Saunders, Vigil (2024)
  • Millet, A Children's Bible (2020)
  • Kingsolver, Unsheltered (2018)
  • Kingsolver, Flight Behavior (2012)

4. Nonhuman life and intrinsic value

  • Arnott, Dusk (2025)
  • Guha, The Tiger's Share (2025)
  • Reva, Endling (2025)
  • VanderMeer, Absolution (2024)
  • Nayler, The Mountain in the Sea (2022)
  • Beauman, Venomous Lumpsucker (2022)
  • McConaghy, Wild Dark Shore (2024) and Migrations (2020)
  • Christie, Greenwood (2019)
  • Burke, Semiosis (2018)
  • Proulx, Barkskins (2016)
  • Lunde, The History of Bees (2015, English 2017)
  • VanderMeer, Annihilation (2014)

5. Oceans, grief, and planetary perspective

  • Thien, The Book of Records (2025)
  • Kwan, Awake in the Floating City (2025)
  • Harvey, Orbital (2023/24)
  • Chung, Sea Change (2022)
  • Ozeki, A Tale for the Time Being (2013)

6. Indigenous and non-Western perspectives

  • Ghosh, Gun Island (2019)
  • Okorafor, Lagoon (2014)
  • Wright, The Swan Book (2013)

7. Collapse, survival, and community

  • Brooks-Dalton, The Light Pirate (2022)
  • Cook, The New Wilderness (2020)
  • Erdrich, Future Home of the Living God (2017)
  • Brooks-Dalton, Good Morning, Midnight (2016)
  • Mandel, Station Eleven (2014)
  • Atwood, MaddAddam (2013)
  • Bacigalupi, Ship Breaker (2010)

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