At the southern festival of books yesterday, I met the authors Alice Martin, Erin McCoy, and Deb Olin Unferth. I told Unferth that I plan to teach environmental ethics with a cli-fi/eco-fiction theme next semester, using Richard Powers’ trilogy beginning with The Overstory. I’m also going to use Jill Lepore‘s The Rise and Fall of the Artificial State in that course. I asked Unferth what other titles she thinks would be appropriate. She mentioned her own book, Earth 7, and author Kim Stanley Robinson.
Claude’s lists:
- Stephen Markley, The Deluge (2023)
- Charlotte McConaghy, Wild Dark Shore (2024)
- George Saunders, Vigil (2024)
- Eric Puchner, Dream State (2025); Megha Majumdar, A Guardian and a Thief (2025)
- Lily Brooks-Dalton, The Light Pirate (2022)
- Neal Stephenson, Termination Shock (2021)
Nonhuman life, ecology, and the weird
- Ray Nayler, The Mountain in the Sea (2022), on octopus intelligence
- Gina Chung, Sea Change (2022)
- Ned Beauman, Venomous Lumpsucker (2022), on extinction and its economics
- Jeff VanderMeer, Absolution (2024)
Tech, power, and the "Artificial State" thread
- Naomi Alderman, The Future (2023)
Here's a trimmed list of ten, each with a theme tag and a report prompt. The short descriptions of the titles I didn't confirm by search come from my own knowledge, so check them before distributing.
- Deb Olin Unferth, Earth 7 (2026) · Technology, extinction. What does the novel suggest we owe a planet we've used up, and does saving a "trace" of Earth count as preservation?
- Stephen Markley, The Deluge (2023) · Climate politics, justice. Which obstacles to climate action does the novel locate in institutions rather than individuals?
- Charlotte McConaghy, Wild Dark Shore (2024) · Preservation, loss. What is being preserved, for whom, and at what cost to the people doing it?
- George Saunders, Vigil (2024) · Complicity, responsibility. How does the novel treat moral responsibility for harms that are diffuse and long-term?
- Ray Nayler, The Mountain in the Sea (2022) · Nonhuman minds. If octopuses are persons, what changes about environmental ethics and our standing as moral agents?
- Ned Beauman, Venomous Lumpsucker (2022) · Valuing species. Satirize or defend: can extinction be priced? What does the book assume about instrumental versus intrinsic value?
- Jeff VanderMeer, Absolution (2024) · Nature's agency. Is nature here a victim, an agent, or something that resists both categories?
- Gina Chung, Sea Change (2022) · Ocean, grief. How does personal loss shape the narrator's relationship to ecological loss?
- Samantha Harvey, Orbital (2023/24) · Planetary perspective. How does seeing Earth whole change the ethical questions, compared with Powers' view from inside the forest?
- Naomi Alderman, The Future (2023) · Tech billionaires, escape fantasies. Pair with Lepore: where do the novel's elites match her "Artificial State"?
2010–2015
- Ian McEwan, Solar (2010): a comic study of a physicist's self-interest and climate action
- Paolo Bacigalupi, Ship Breaker (2010): YA, post-collapse Gulf Coast
- Barbara Kingsolver, Flight Behavior (2012): monarch butterflies and climate belief in rural Appalachia
- Kim Stanley Robinson, 2312 (2012): solar-system ecology and terraforming ethics
- Margaret Atwood, MaddAddam (2013): concludes her trilogy on bioengineering and ecological collapse
- Nathaniel Rich, Odds Against Tomorrow (2013): risk, prediction, and disaster profiteering
- Ruth Ozeki, A Tale for the Time Being (2013): ocean plastic, Fukushima, and Zen
- Alexis Wright, The Swan Book (2013): Aboriginal perspectives on a climate-altered Australia
- Jeff VanderMeer, Annihilation (2014): the first Southern Reach book; nature as inscrutable agent
- Emily St. John Mandel, Station Eleven (2014): what survives after collapse
- Nnedi Okorafor, Lagoon (2014): first contact, Lagos, and the oil-polluted sea
- Kim Stanley Robinson, Aurora (2015): the ethics of leaving Earth
- Maja Lunde, The History of Bees (English 2017; Norwegian 2015): three eras of pollinator collapse
2016–2020
- Annie Proulx, Barkskins (2016): three centuries of deforestation
- Lily Brooks-Dalton, Good Morning, Midnight (2016)
- Omar El Akkad, American War (2017): climate-driven second civil war
- Louise Erdrich, Future Home of the Living God (2017): reproduction and reverse evolution
- Kim Stanley Robinson, New York 2140 (2017): flooded city, capital, and collective action
- Sue Burke, Semiosis (2018): plant intelligence; a natural companion to The Overstory
- Barbara Kingsolver, Unsheltered (2018): two eras of ecological and economic precarity
- Michael Christie, Greenwood (2019): a century of one family and one forest
- Amitav Ghosh, Gun Island (2019): migration, myth, and the Sundarbans
- Kim Stanley Robinson, The Ministry for the Future (2020): policy-level climate fiction
- Rumaan Alam, Leave the World Behind (2020): crisis and class
- Diane Cook, The New Wilderness (2020): a community living in a protected wilderness state
- Lydia Millet, A Children's Bible (2020): generational anger at climate inaction
- Charlotte McConaghy, Migrations (2020): the last Arctic terns
For a philosophy course, a few of these pair well with specific topics:
- Intrinsic vs. instrumental value: Barkskins, Semiosis, Venomous Lumpsucker
- Intergenerational ethics: Unsheltered, A Children's Bible, Vigil
- Geoengineering and policy: The Ministry for the Future, New York 2140
- Indigenous and non-Western perspectives: The Swan Book, Lagoon, Gun Island
2. Climate politics, justice, and policy
- Majumdar, A Guardian and a Thief (2025)
- Puchner, Dream State (2025)
- Markley, The Deluge (2023)
- Robinson, The Ministry for the Future (2020)
- Alam, Leave the World Behind (2020)
- Robinson, New York 2140 (2017)
- El Akkad, American War (2017)
- Rich, Odds Against Tomorrow (2013)
- McEwan, Solar (2010)
3. Responsibility and intergenerational ethics
- Saunders, Vigil (2024)
- Millet, A Children's Bible (2020)
- Kingsolver, Unsheltered (2018)
- Kingsolver, Flight Behavior (2012)
4. Nonhuman life and intrinsic value
- Arnott, Dusk (2025)
- Guha, The Tiger's Share (2025)
- Reva, Endling (2025)
- VanderMeer, Absolution (2024)
- Nayler, The Mountain in the Sea (2022)
- Beauman, Venomous Lumpsucker (2022)
- McConaghy, Wild Dark Shore (2024) and Migrations (2020)
- Christie, Greenwood (2019)
- Burke, Semiosis (2018)
- Proulx, Barkskins (2016)
- Lunde, The History of Bees (2015, English 2017)
- VanderMeer, Annihilation (2014)
5. Oceans, grief, and planetary perspective
- Thien, The Book of Records (2025)
- Kwan, Awake in the Floating City (2025)
- Harvey, Orbital (2023/24)
- Chung, Sea Change (2022)
- Ozeki, A Tale for the Time Being (2013)
6. Indigenous and non-Western perspectives
- Ghosh, Gun Island (2019)
- Okorafor, Lagoon (2014)
- Wright, The Swan Book (2013)
7. Collapse, survival, and community
- Brooks-Dalton, The Light Pirate (2022)
- Cook, The New Wilderness (2020)
- Erdrich, Future Home of the Living God (2017)
- Brooks-Dalton, Good Morning, Midnight (2016)
- Mandel, Station Eleven (2014)
- Atwood, MaddAddam (2013)
- Bacigalupi, Ship Breaker (2010)
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